In the Garden of Creative Late Bloomers the Slow and Steady Plodder Wins the Race (Just Ask Charlotte Rogan)

Adding another late-in-life writer to my list of Creative Late Bloomers is always a pleasure:  Charlotte Rogan, signed her first book contract for the just released novel, "The Lifeboat," a few months after her 57th birthday.

Can you hear me say, "It's never too late"?

But Rogan's story is particular sweet because Rogan's late-in-life success did not happen overnight. She has been practicing her craft -- in secret -- for more than 25 years, writing a total of five novels. "The Lifeboat," out this month from Little, Brown, is the first one she submitted for publication.

As I have written earlier, Creative Late Bloomers come in many varieties. Not all of them are, like Grandma Moses, late starters. Not all of them are brilliant artists like Carmen Herrera who were discovered late in life by the general public. Not every late bloomer has lacked early recognition because of a heartless and clueless world. In some cases, they have needed time to hone their skills. They have needed time to do their best. Just ask Charlotte Rogan.

In the garden of Creative Late Bloomers, she is a classic Plodder.

Malcolm Gladwell describes this type of artist in his 2008 New Yorker article on Late Bloomers. He uses the example of Ben Fountain, comparing his writing life and habits to the plodding career of Cezanne.

Karl Marlantes is another good example of the The Plodder. Marlantes took three decades and many rewrites to finally finish "Matterhorn," his bestselling Vietnam War novel. "Over the years, the book got better," he says. When he published the novel, his first, in 2010, he was 65. One year later, he published a nonfiction work, "What It Is Like To Go To War," describing the lives of veterans when they return from service. 

Or how about Selden Edwards, author of "The Little Book"? Edwards toiled more than three decades before landing a book contract with Dutton. Selden wrote the first draft of this novel in 1975 and then polished and refined it for 34 years before it was accepted for publication in 2007. Selden was the oldest member of a panel of first novelists that I moderated at Portland's Woodstock Festival in 2008. He told me that he was happy no one published the work earlier. When the book finally came out, he explained, the world was much more receptive to a novel that involved time travel. 

Published this month by Little, Brown, Charlotte Rogan's "The Lifeboat" has been getting rave reviews: "terrific debut novel" (The Guardian); "remarkable debut (Globe and Mail); "spellbinding and beautifully written" (Tim O'Brien). "Other novels have examined the conscience and guilt of a survivor among the dead, but few tales are as thoughtful and compelling as this," said Cristina Ianzito in the Washington Post Book World.

One review noted the value of waiting so long before entering the publishing fray:  "Rogan's debut may be later than many writers, and arguably al the better," wrote Michael Bywater in Britain's Independent. "She has experience of life, and of 20 years' writing without the trimming and flannel of the market to coarsen her voice."

Make that 20 years plus. A mother of triplets, Rogan had been writing in secret for more than 25 years, stealing what time she could to get her stories down on paper. "Lifeboat" actually is her fourth novel. She dismissed the first three novels "as not particularly interesting, or not focused enough on plot," according to the New York Times.

And her fifth novel? Rogan wrote it when she was living in Texas surrounded by people whose politics she didn't share. George W. Bush was president. Called "Security," it was the story of a group of people living behind the walls of a gated community, trying to protect themselves.

Rogan never submitted it for publication. But who knows? I'm thinking the story now may have some legs.

As The Plodder well knows, slow and steady wins the race.



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Art-Inspired Writing Workshop at the Dali: Part of New Creative Trend in Museums

 Museums are moving from Show and Look to Show and Teach, says the New York Times.  My monthly art-inspired memoir writing workshops at the Dali Museum in downtown St. Petersburg are part of that new creative trend. Join me for the next class: April 19.

JONAH LEHRER SAYS CREATIVITY IS JUST ONE "MISREAD" BOOK AWAY...OR AM I MISREADING THAT?

      Here's what Jonah Lehrer, author of the massive bestseller Imagine: How Creativity Works, recently said In an NPR interview about the origins of creativity:
      
     "The brain is just an endless knot of connections. And a creative thought is simply...a network that's connecting itself in a new way. Sometimes it's triggered by a misreading of an old novel. Sometimes it's triggered by a random thought walking down the street, or bumping into someone in the bathroom of the studio. There are all sorts of ways seemingly old ideas can get reassembled in a new way."
     
     Did Lehrer mean to say "rereading" instead of "misreading"? I hope not. I love to think that any book I read could be a source of creative inspiration for me -- even the ones where I totally miss the author's point and boldly insert my own. For as every critic -- and every artist -- eventually learns, there is no "right" interpretation of a work of art. We all bring our life experiences to the experience of art consumption. Authors and other artists never can control how their work will be perceived.
     But  whether Lehrer meant to say "rereading" rather than "misreading" old books can prompt creative thinking, his high praise of spontaneous living has given hope to all of us who have eschewed the purpose-driven life. For if randomness is the most fertile ground for creativity, then an unpremeditated life may turn out to be the most creative one of all.
     I always suspected that singlemindedness was overrated.
     Find out what you are good at and stick to it, my teachers used to advise me, ominously warning: "You don't want to be a jack-of-all trades and master of none, do you?"

     Well, yes, I did. Being a jack-of-all-trades always sounded like a lot more fun than being a master. A narrow focus, it seemed to me, risked missing a whole lot of the bigger picture. The world was full of wonders, from Elizabethan drama to the mating habits of fruit flies, from Jane Austen to the graphic novel. Why choose only one area of interest? 

     I went to a liberal college, the ultimate intellectual smorgasbord. Unable to settle on a single major, I graduated with a double one in political science and French literature and a minor in theology. I lived in a dozen cities and several countries. I married twice. Although I aspired to be a polymath like Leonardo da Vinci, excelling in a number of different ways, I am more a dabbler, performing reasonably well at a variety of different jobs.  

     My slapdash approach to life hasn't earned me fame or fortune, but it has brought me a lot of enjoyment. Still, from time to time, I have been nagged by worry: Has my lack of an overall life plan held me back? 

     Now here comes Jonah Lehrer to assure me that although a hit or miss life probably is not the most efficient pathway to success, the randomness of it holds endless promise. 

     So live aimlessly! Read willy nilly! You may be just one misread book away from hitting the creative jackpot.

    

    FIVE BOOKS TO READ (OR MISREAD) TO TRIGGER CREATIVE THOUGHTS

1. Paris in Love: A Memoir, by Eloisa James: James is the mother of two kids, the wife of an Italian knight and the daughter of poet Robert Bly and writer Carol Bly. She teaches Shakespeare at Fordham, publishes scholarly books on the Elizabethean era, and writes best-selling historic romance novels. Talk about a polymath! This memoir is a compilation of the bite-sized blog entries she posted when she and her husband, who teaches at Rutgers, went on a sabbatical in Paris. Insanely jealous, I desperately wanted to hate her, but she is too witty, too insightful and too honest in these letter-perfect and thoroughly delightful comments about her family's year in Paris to arouse anything but deep admiration. Only disappointed: When I Googled her name, I found out she told an interviewer that the reason she multitasks so effectively is that she's "very, very organized." Well, no one's perfect.

2. Killer Crullers: A Donut Shop Mystery, by Jessica Beck. People who make fun of people who read whodunits like "Killer Crullers" (which, BTW, was better than "Evil Eclairs") are the same people who mocked Marilyn Hagerty's sincere review of the Olive Gardens.  So the Donut Shop mysteries aren't great literature. Bite my cruller. They're fun -- and include donut recipes, always a plus. And BTW, the 85-year-old restaurant critic whose review went viral now got a book contract with none other than Anthony Bourdain who's working on a series of volumes with Ecco. Another creative late bloomer to celebrate!

3. The Beginner's Goodbye, by Anne Tyler (Knopf). Grief is a special kind of madness. In the year after Joan Didion's husband died, her self-described year of magical thinking, the writer became one of those "literally crazy, cool customers who believe their husband is about to return and need his shoes."  In this novel, Aaron Woolcott's wife Dorothy does return from the dead -- at least according to Aaron who is the first person narrator. Most of the novel, however, is not about Dorothy's startling re-appearance, but rather a poignant description of Aaron and Dorothy's ghostly life together when both were alive. How hard it is for people to blend their lives and how often we talk right past the ones we love the most. Only the ending of this novel is a disappointment whenTyler opts to give Aaron a second chance that is way too convenient. I guess we are all beginners when it comes to say goodbye.


4. Venetian Curiosities, by Donna Leon, music by Antonio Vivaldi with Riccardo Minasi conducting (Atlantic Monthly Press) An American who has lived for years in Venice, Leon writes an engaging mystery series starring the fictional Commissario Guido Brunetti. Here, the stories of her adoptive, watery city are real -- based on official records and rumors told and retold over the centuries. There's an elephant brought in by boat for Carnival that goes on a rampage and stops for a caffe (that's in the official record); prostitutes who are regulated by very peculiar laws that are largely ignored, and a man who goes to the gallows rather than reveal his infidelities. The palm-sized book is illustrated with scenes of 18th century Venetian life by Canaletto and Longhi and comes complete with a CD of music by Vivaldi, soothing sounds that have been inspiring creative thoughts in me long after I finished reading Leon's Venetian curiosities.

5. The Power of Habit: Why We Do What We Do, by Charles Duhigg. I listened to this as a book on tape in my car. As I scurried to buy groceries, meet with friends and keep my appointments, I listened as Duhigg explained to me why I do what I do. I do nearly everything, it turns out, out of habit. But here's the best part of his book: He claims that habits can be changed -- if you believe you can change them. He even provides a framework for that change: 1. Identify the route. 2. Experiment with rewards. 3. Isolate the cue. 4. Have a plan. 

     
     Oh, well, so much for the accidental life.